Interesting. Hitting a 65-year old layer of anger at the branch of church music that I love the most -- and having found a measure of compassion for myself and the world of choral evensong -- seems to have been the key to expanding a musical metaphor about the emerging paradigm (π -- "sparkling heart" world). But bear with me as I back up for a minute.
In the last few months, I've reached a whole 'nother level of not comprehending why people hurt other people, the earth, or themselves. Earlier in my life, I suppose I took to heart frequent admonitions along the lines of, "this is the real world and you'd better get a grip and function within it!" It soon became clear that I didn't function well within it, but I tried to at least accept that it had validity. Sort of along the lines of how I finally began to say "They believe..." at the beginning of the Creed rather than "I believe..." I was the weird one. All you had to do was look at my wandering, unsettled life. I shrank away from violence, competition, the infliction of pain. I cringed a lot.
This has slowly but surely changed to the point where I just cannot take any of it seriously any more -- war, combativeness, threats, domination, over-consumption. Energetically, it is so far beneath the "radio wave" of all-love being broadcast by the incoming Aquarian Age that it is almost like distant radio stations on old-fashioned radios; staticky, coming in loud then soft, voices and music distorted, strange, funny, a sound version of a funhouse mirror. I mean, it is all laughable -- but of course not, because too many people are still being hurt. Perhaps absurd is the best word. Don't the perpetrators feel the new energy?
And yet even I struggle with not simply transferring aspects of the old paradigm to the new. It's too easy to try to retain the duality and the hierarchical structure and thus the fear. That some all-powerful overlord will impose "love" on everyone, and we will have to get into lockstep and superficially act lovingly or we will get into trouble. That darkness and evil will remain under the surface. That in the end, it will be the same old Hollywood conflict of good vs. evil. "Deja vu all over again."
But, it isn't. And I think my heart has finally caught up with my head on this. I feel the reality -- love is not a phenomenon that can be defined as "against", or "opposite", or only half of the picture. It is the whole picture. Its beauty necessarily consists of varied colors and contrasts, but they don't fight each other, they find balance. An oil painter doesn't create a beautiful image in anticipation of the brown paints picking a fight with the blue paints, thereby setting the whole canvas on fire!
So this brings me (finally!) back to choral music, and something that I've touched on before but which seems to become more illustrative by the day. The point of a choir is not to encourage each part to fight the others. "Success" doesn't come when the altos kill off the tenors! It comes when each singer sings their line, sensitive to the beauty of the bigger composition, creating variety amidst harmony and unity.
Some might say, that's easy for her to say! Everyone isn't an artist! Everyone isn't a musician! And yet, we all are. We are musical instruments, receiving the divine song and doing our unique best to transmit it out. In the new paradigm, people won't be so threatened by the fact that other voices sound different. I may be discovering some old anger around my passion for choral music, but the issue was being prevented from singing the music. As a singer, my issue wasn't anger that the basses or sopranos sing in different ranges, or that composers give them different-sounding lines.
This morning, I guess that's my takeaway. As singers singing into life a love-filled paradigm, we will be exquisitely sensitive to the composition we are creating, honoring the sound and nature of our own and other voices. We will understand that in this great loving motet, humans are not the only singers. Lakes, oceans, mountains, animals, plants, inner earth, and swirling galaxies -- all are singing their parts, valid songs that must equally be heard in order for the larger composition to make sense. As we sing our part, our ears still listen carefully to the parts around us. We calibrate our loudness, our entrances, our pitch, the legato or staccato quality of our lines, to what we are hearing around us. This doesn't diminish us. It makes us more thrilling, powerful singers, individually as well as part of the choir. And the important thing won't be our literal singing ability, creating some kind of elite choir out of the whole world. ("Can you sing one of the 40-parts of "Spem in Alium" on your own?") No, whatever our voice sounds like, there will be one primary question when we audition for the choir: do we sing in the key of love? (I handwrote this essay before finding out there are songs etc. using that wording. We're all on a similar wavelength!)
I will be exploring this metaphor some more, I know, because more and more thoughts are coming to me. 'Til next time...